Connecting with the real Mad Men
HHG Theatre Co-Artistic Director Sean Devine talks about the ongoing creation process for his newest work Daisy.
Bill Bernbach, known in the advertising world as the father of “the creative revolution” is so revered in his industry that a book of Bernabch quotes is required reading. One of his better known quotes goes:
“The truth isn’t the truth until people believe you, and they can’t believe you if they don’t know what you’re saying, and they can’t know what you’re saying if they don’t listen to you, and they won’t listen to you if you’re not interesting, and you won’t be interesting unless you say things imaginatively, originally, freshly.”
It’s been such a daunting challenge to create Daisy, a play about the infamous 1964 television advertisng campaign created by the famed Madison Avenue firm of Doyle Dane Bernbach. The real-life characters that populate this story are some of the most innovative, genius minds of their era. They wrote the book, and then they themselves re-wrote the book. If we’re not imaginative, orignal and fresh, we won’t be interesting. And to not be interesting would be death.
As with Re:Union, part of the route to overcoming these challenges is research: getting as close to and as knowledgable of our subjects as we can. This entails years of reading and studying, mining for audio-visual material, and then actually going to see these people, these places, face-to-face. Not only for the opportunity to interview these real life legends, but to walk literally in their own footsteps.
With the support of our research and development grants from the BC Arts Council and the Canada Council for the Arts, I was fortunate enough to travel to New York City and Washington, DC to do the first phase of this on-the-ground research. (HHG Theatre first went to DC on some research for Re:Union. Revisit that here.)
Thanks to the fantastic Kathleen Gordon, Director Creation Initiatives at DDB Worldwide in NYC, I got fantastic access to DDB’s Madison Avenue headquarters: their research library, their film archives, and also to some circa 1964 era former DDB staffers (including someone who was involved in the creation of the “Daisy” ad). There’s research you can do in a book or with a Google search, and then there’s the encounters that can only come from passion and good fortune.
Here’s some small samples of all of this.
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